Inserito Friday 6 March 2009
This label is dedicated once again to the marriage between art and wine and in particular the relationship that is created in the first nine hundred of the movement of futurism and the transposition of certain works of art of this current art on the labels of wine which until then had been fairly anonymous.
This article is the result of our search for a beloved member of Giancarlo Santagostino Abbiategrasso.
Here we present the Green Label "Caldaro" which is a label of Claudio Cavazzana Cantine di Trento.
The company is no longer in business and has been consolidated since the second world war in another among the most important initiative.
The label is a copy of a set that includes (at least) Terlano (same colors) Marzemino and sweet Lambrusco (predominantly red) and Santa Maddalena Red Castelbarco (predominantly orange) and Negrara Valpolicella (blue / red) and Albana Passito (yellow and blue) to all’aceto (pink). Some specimens were diagonally soprastampati: "Red Castellar" on Negrara and Valpolicella, "White Castelmadruzzo" Passito on and on Albania.
All these labels have the same design and vary only the distribution of colors in different fields.
And one can certainly point out the novelty of this label and also the news that certainly stand out on a bottle today.
Were commissioned in the years 30 to Fortunato Depero that has put his signature in the small FD which is located in the corners of the label.
Fortunato Depero was born at the end dell’800 a fund, in Trentino, subject of the Habsburgs. He studied art and also practiced outside the home.
Attended - it was leading with Jacks and Balla - the cultural movement known as Futurism and in 1914 in Rome signed the Manifesto of Futurist Reconstruction of the Universe, which is distinct from the other posters Futurists in seeking a global dimension in the core the game is seen as liberating activities.
Many of his works, not only paintings, are collected in Casa Depero Museum in Rovereto (now the subject of the work of new production). Depero of works have been presented in recent years in several exhibitions (including Milan and Genoa) devoted to Futurism, a movement somewhat ‘forgotten in recent decades because of the sympathy that the Futurists dedicated to the emerging regime (1922).
Depero was brilliant artist and for him there tapestries, marquetry in cloth, furniture, billboards (Campari, San Pellegrino, Verzocchi, Unica) toys, also worked for the theater and, as you can see, even for the Cantine di Trento Claudio Cavezzani.
